Category Archives: Star Wars
Donald T. Williams, PhD, is R. A. Forrest Scholar and Professor of English at Toccoa Falls College. His most recent books include Mere Humanity: G. K. Chesterton, C. S. Lewis, and J. R. R. Tolkien on the Human Condition (Broadman, 2006), Stars through the Clouds (Lynchburg: Lantern Hollow Press, 2011), his collected poetry, Inklings of Reality: Essays toward a Christian Philosophy of Letters, 2nd ed., revised and expanded, and Reflections from Plato’s Cave: Essays in Evangelical Philosophy (Lynchburg: Lantern Hollow Press, 2012).
Order Stars through the Clouds ($15.00), Inklings of Reality, or Reflections from Plato’s Cave ($15.00) at https://lanternhollow.wordpress.com/store/.
Also, check out Dr. Williams’s latest book: Deeper Magic: The Theology behind the Writings of C. S. Lewis (Square Halo Books, 2016)!
“A long, long time ago, in a galaxy far, far away….” I remember seeing the 1997 restored version of Star Wars in elementary school with my father and reading those lines for the first time. I think every day for recess we pretended to be Luke Skywalker, Princess Leia, and Han Solo zooming across space and and battling the evil Darth Vader and the dictatorial Empire.
As an adult, Star Wars has become less important in my life, but I see its impact in our culture, especially to our American mythology. In fact, Star Wars and science fiction films have almost become quintessential American myth tales, though they America did not originate the science fiction story or film. Again, we can thank Europe for that. Tales by H. G. Wells and Jules Verne remain some of the best science fiction literature to date, and Germany’s Metropolis practically is science fiction’s capstone film.
But these films, like Westerns, seem to fit well with our paradigm of expansion, progression, and independence. While Westerns look to the wild west to fulfill these values, science fiction looks to the stars. Indeed, Luke Skywalker embodies any typical young American: an average Joe who leaves his home to fulfill his destiny to become something greater. Interestingly, the story practically begins in the desert with our young hero encountering two rustic droids, a old wizard, and a space cowboy with a furry friend. They enter the cold, metallic belly of a vast space station (which represents technology and innovation put to evil purposes) to rescue a beautiful, yet fiercely capable princess, who provides female audience members a role model of aptitude and independence. The underdog rebels then turn and destroy the the same spaceship, a symbol of oppression and tyranny. Sounds like our own Revolution to some degree, right?
Thus, as Disney and Westerns have incorporated so well, Star Wars and many science fiction films capture the American ideal and contribute its mythology. Recent success in science fiction films is evidence of this. Avatar is the most successful film to date and the newest Star Trek films have shown that science fiction films can be stylish, yet thought-provoking storytelling. And do it need to go into detail about the moral and cerebral depth of films like Blade Runner, Brazil, E. T., Aliens, The Matrix, and Inception? Although Disney may have established the American myth and the Western may be the nation’s mythic original, science fiction films would probably remain America’s most beloved and well-received myth.